It commonly happens to him who endeavours to obtain distinctiona by ridicule, or censure, that he teaches others to practise his own arts against himself,b and that, after a short enjoyment of the applause paid to his sagacity, or of the mirth excited by his wit, he is doomed to suffer the same severities of scrutiny, to hear inquiry detecting his faults, and exaggeration sporting with his failings.

The natural discontent of inferiority will seldom fail to operate in some degree of malice against him, who professes to superintend the conduct of others, especially if he seats himself uncalled in the chair of judicature, and exercises authority by his own commission.

You cannot, therefore, wonder that your observations on human folly, if they produce laughter at one time, awaken criticism at another; and that among the numbers whom you have taught to scoff at the retirement of Drugget,1 there is one thatc offers his apology.

The mistake of your old friend is by no means peculiar. The public pleasures of far the greater part of mankind are counterfeit.2 Very few carry their philosophy to places of diversion, or are very careful to analyse their enjoyments. The general condition of life is so full of misery, that we are glad to catch delight without inquiring whence it comes, or by what power it is bestowed.

The mind is seldom quickened to very vigorous operations but by pain, or the dread of pain. We do not disturb ourselves with the detection of fallacies which do us no harm, nor willingly decline a pleasing effect to investigate its cause. He that is happy, by whatever means, desires nothing but the continuance of happiness, and is no more sollicitous to distribute his sensations into their proper species, than the common gazer on the beauties of the spring to separate light into its original rays.

Pleasure is therefore seldom such as it appears to others, nor often such as we represent it to ourselves. Of the ladies that sparkle at a musical performance, a very small number has any quick sensibility of harmonious sounds. But every one that goes has her pleasure. She has the pleasure of wearing fine cloaths, and of shewing them, of outshining those whom she suspects to envy her; she has the pleasure of appearing among other ladies in a place whither the race of meaner mortals seldom intrudes, and of reflecting that, in the conversations of the next morning, her name will be mentioned among those that sat in the first row; she has the pleasure of returning courtesies, or refusing to return them, of receiving compliments with civility, or rejecting them with disdain. She has the pleasure of meeting some of her acquaintance, of guessing why the rest are absent, and of telling them that she saw the opera, on pretence of inquiring why they would miss it. She has the pleasure of being supposed to be pleased with a refined amusement, and of hoping to be numbered among the votresses of harmony. She has the pleasure of escaping for two hours the superiority of a sister, or the controul of a husband; and from all these pleasures she concludes that heavenly musick is the balm of life.

All assemblies of gaiety are brought together by motives of the same kind. The theatre is not filled with those, that know or regard the skill of the actor, nor the ballroom, by those who dance, or attend to the dancers. To all places of general resort, where the standard of pleasure is erected, we run with equal eagerness, or appearance of eagerness, for very different reasons. One goes that he may say he has been there, another because he never misses. This man goes to try what he can find, and that to discover what others find. Whatever diversion is costly will be frequented by those who desire to be thought rich; and whatever has, by any accident, become fashionable, easily continues its reputation, because every one is ashamed of not partaking it.

To every place of entertainment we go with expectation, and desire of being pleased; we meet others who are brought by the same motives; no one will be the first to own the disappointment; one face reflects the smile of another, till each believes the rest delighted, and endeavours to catch and transmit the circulating rapture. In time, all are deceived by the cheat to which all contribute. The fiction of happiness is propagated by every tongue, and confirmed by every look, till at last all profess the joy which they do not feel, consent to yield to the general delusion; and when the voluntary dream is at an end, lament that bliss is of so short a duration.

If Drugget pretended to pleasures, of which he had no perception, or boasted of one amusement where he was indulging another, what did he which is not done by all those who read his story?3 of whom some pretend delight in conversation, only because they dare not be alone; some praise the quiet of solitude, because they are envious of sense and impatient of folly; and some gratify their pride, by writing characters which expose the vanity of life.