From this unwillingness to perform more than is required of that which is commonly performed with reluctance, it proceeds that few authors write their own lives. Statesmen, courtiers, ladies, generals and seamen, have given to the world their own stories, and the events with which their different stations have made them acquainted. They retired to the closet as to a place of quiet and amusement, and pleased themselves with writing, because they could lay down the pen whenever they were weary. But the author, however conspicuous, or however important, either in the publick eye or in his own, leaves his life to be related by his successors, for he cannot gratify his vanity but by sacrificing his ease.

It is commonly supposed that the uniformity of a studious life affords no matter for narration; but the truth is, that of the most studious life a great part passes without study. An author partakes of the common condition of humanity; he is born and married like another man; he has hopes and fears, expectations and disappointments, griefs and joys, and friends and enemies, like a courtier or a statesman;1 nor can I conceive why his affairs should not excite curiosity as much as the whisper of a drawing-room, or the factions of a camp.

Nothing detains the reader's attention more powerfully than deep involutions of distress or sudden vicissitudes of fortune, and these might be abundantly afforded by memoirs of the sons of literature. They are intangled by contracts which they know not how to fulfill, and obliged to write on subjects which they do not understand. Every publication is a new period of time from which some encrease or declension of fame is to be reckoned. The gradations of a hero's life are from battle to battle, and of an author's from book to book.

Success and miscarriage have the same effects in all conditions. The prosperous are feared, hated and flattered; and the unfortunate avoided, pitied, and despised. No sooner is a book published than the writer may judge of the opinion of the world. If his acquaintance press round him in publick places, or salute him from the other side of the street; if invitations to dinner come thick upon him, and those with whom he dines keep him to supper; if the ladies turn to him when his coat is plain, and the footmen serve him with attention and alacrity, he may be sure that his work has been praised by some leader of literary fashions.

Of declining reputation the symptoms are not less easily observed. If the author enters a coffee-house, he has a box to himself; if he calls at a bookseller's, the boy turns his back; and, what is the most fatal of all prognosticks, authors will visit him in a morning, and talk to him hour after hour of the malevolence of criticks, the neglect of merit, the bad taste of the age, and the candour of posterity.

All this modified and varied by accident and custom would form very amusing scenes of biography, and might recreate many a mind which is very little delighted with conspiracies or battles, intrigues of a court or debates of a parliament: to this might be added all the changes of the countenance of a patron, traced from the first glow which flattery raises in his cheek, through ardour of fondness, vehemence of promise, magnificence of praise, excuse of delay, and lamentation of inability, to the last chill look of final dismission, when thea one grows weary of solliciting, and the other of hearing sollicitation.

Thus copious are the materials which have been hitherto suffered to lie neglected, while the repositories of every family that has produced a soldier or a minister are ransacked, and libraries are crouded with useless folios of state papers which will never be read, and which contribute nothing to valuable knowledge.

I hope the learned will be taught tob know their own strength and their value, and instead of devoting their lives to the honour of those who seldom thank them for their labours, resolve at last to do justice to themselves.