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Works of Samuel Johnson
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Table of Contents
  • Audiet Pugnas vitio Parentum / Rara Juventus. Hor: Young men—the few who are left after the crimes of their fathers—will hear of battles. [School and College Latin Exercises]
  • Bonae leges ex malis moribus proveniunt: Good laws spring from bad habits [School and College Latin Exercises]
  • Malos tueri haud tutum: Save a thief from the gallows and he’ll cut your throat [School and College Latin Exercises]
  • Quis enim virtutem amplectitur ipsam Praemia si tollas?: For who embraces virtue herself, if you take away the reward? [School and College Latin Exercises]
  • Adjecere bonae paulo plus artis Athenae: Kind Athens Added a Little More Skill [School and College Latin Exercises]
  • Mea nec Falernae Temperant Vites, neque Formiani Pocula Colles: Neither Falernian vines nor Formian hills mellow my cups [School and College Latin Exercises]
  • Scheme for the Classes of a Grammar School
  • Advertisement for the School at Edial
  • Observations on Common Sense
  • Preface to the 1738 Volume of the Gentleman’s Magazine
  • Letter to the Gentleman's Magazine on Political Journalism
  • Appeal to the Publick
  • To the Reader. [Gentleman’s Magazine]
  • Considerations on the case of Dr T.—s Sermons abridg’d by Mr Cave
  • The Jests of Hierocles
  • Preface to the 1741 Volume of the Gentleman's Magazine
  • Review of An Account of the Conduct of the Dowager Duchess of Marlborough
  • Proposals for Printing, by Subscription, the Two First Volumes of Bibliotheca Harleiana
  • An Account of the Harleian Library
  • Notice in Volume Two of Catalogus Bibliothecae Harleianae
  • Proposals for Printing, by Subscription, the Harleian Miscellany with An Account of this Undertaking
  • Introduction to the Harleian Miscellany: An Essay on the Origin and Importance of Small Tracts and Fugitive Pieces
  • Preface to the 1742 Volume of the Gentleman’s Magazine
  • Dedication for Robert James's Medicinal Dictionary
  • Preface to the 1743 Volume of the Gentleman’s Magazine
  • PROPOSALS For Printing every Fortnight, (Price Sixpence) THE PUBLISHER: CONTAINING MISCELLANIES In PROSE and VERSE. Collected by J. CROKATT, Bookseller.
  • Proposals for Printing Anchitell Grey's Debates
  • Some Remarks on the Progress of Learning Since the Reformation
  • Proposals for Printing by Subscription Hugonis Grotii Adamus Exul
  • Postscript to Lauder’s Essay on Milton’s Use and Imitation of the Moderns
  • A Letter to the Reverend Mr. Douglas
  • Preface to The Preceptor
  • The signification of WORDS how varied
  • Letter Concerning the Benefit Performance of Comus for Milton's Granddaughter
  • Proposals for printing by subscription, Essays in Verse and Prose.
  • Notice of The life of Harriot Stuart
  • Dedication to The Female Quixote
  • Dedication to Memoirs of Maximilian de Bethune, Duke of Sully
  • Dedication to Philander
  • Dedication to The Greek Theatre of Father Brumoy
  • Dedication to Henrietta, 2nd Ed.
  • Proposals for Printing by Subscription The Original Works of Mrs. Charlotte Lennox
  • Letter to the Daily Advertiser concerning James Crokatt
  • Preface to A General Index of the First Twenty Volumes of the Gentleman's Magazine
  • Preface to the 1753 Volume of the Gentleman’s Magazine
  • An Account of an Attempt to Ascertain the Longitude by Sea, by an Exact Theory of the Variation of the Magnetical Needle
  • Dedication and Preface to An Introduction to the Game of Draughts (1756)
  • Dedication to An Introduction to Geometry (1767)
  • Preface to Richard Rolt, A New Dictionary of Trade and Commerce
  • Reflections on the Present State of Literature
  • TO THE PUBLIC
  • Review of John Armstrong, The History of the Island of Minorca (1756)
  • Review of Stephen White, Collateral Bee-Boxes (1756)
  • Review of Thomas Birch, The History of the Royal Society, vols. 1–2 (1756)
  • Review of Arthur Murphy, The Gray’s-Inn Journal, 2 vols. (1756)
  • Review of Joseph Warton, An Essay on the Writings and Genius of Pope (1756)
  • Review of James Hampton, The General History of Polybius (1756)
  • Review of Thomas Blackwell, Memoirs of the Court of Augustus (1753–56)
  • Review of Alexander Russell, The Natural History of Aleppo (1756)
  • Review of Four Letters from Newton to Bentley (1756)
  • Review of William Borlase, Observations on the Islands of Scilly (1756)
  • Review of Archibald Bower, Affidavit (1756); John Douglas, Six Letters and Review of Mr. Bower’s Answer (1757); and John Douglas, Bower and Tillemont Compared (1757)
  • Review of Francis Home, Experiments on Bleaching (1756)
  • Review of Stephen Hales, An Account of a Useful Discovery (1756)
  • Review of Charles Lucas, An Essay on Waters (1756)
  • Review of Robert Keith, A Large New Catalogue of the Bishops (1756)
  • Review of Patrick Browne, The Civil and Natural History of Jamaica (1756)
  • Review of Charles Parkin, An Impartial Account of the Invasion under William Duke of Normandy (1756)
  • Review of A Scheme for Preventing a Further Increase of the National Debt (1756)
  • Review of Conferences and Treaties (1756)
  • Review of Philosophical Transactions (1756)
  • Review of Richard Lovett, The Subtil Medium Prov’d (1756)
  • Review of Benjamin Hoadley and Benjamin Wilson, Observations on a Series of Electrical Experiments (1756)
  • Review of Johann Georg Keyssler, Travels (1756)
  • Review of Elizabeth Harrison, Miscellanies (1756)
  • Review of Jonas Hanway, A Journal of Eight Days Journey (1757)
  • Review of Jonas Hanway, A Journal of Eight Days Journey, Second Edition (1757)
  • Reply to a Letter from Jonas Hanway in the Gazetteer (1757)
  • Review of Samuel Bever, The Cadet (1756)
  • Review of the Test and Con-Test (1756)
  • Review of William Whitehead, Elegies (1757)
  • Review of A Letter to a Gentleman in the Country on the Death of Admiral Byng (1757)
  • Preliminary Discourse in the London Chronicle
  • Advertisement for Francis Barber in the Daily Advertiser
  • "Dedication to John Lindsay, Evangelical History of Our Lord Jesus Christ Harmonized
  • Introduction to the Universal Chronicle (1758)
  • Of the Duty of a Journalist (1758)
  • Advertisement Against Unauthorized Reprints of the Idler (1759)
  • Advertisement for the Public Ledger in the Universal Chronicle (1760)
  • To The Public in the Public Ledger (1760)
  • The Weekly Correspondent Number I [Public Ledger]
  • The Weekly Correspondent Number II [Public Ledger]
  • The Weekly Correspondent Number III [Public Ledger]
  • Preface to J. Elmer, Tables of Weights and Prices
  • From The Italian Library Containing an Account of the Lives and Works of the most valuable authors of Italy (1757)
  • Proposals for Printing by Subscription, Le Poesie di Giuseppe Baretti (1758)
  • Dedication to A Dictionary of the English and Italian Languages (1760)
  • Preface to Easy Phraseology, for the Use of Young Ladies Who Intend to Learn the Colloquial Part of the Italian Language (1775)
  • Advertisement [For The World Displayed]
  • Introduction (1759) [From The World Displayed]
  • Advertisement for Pilgrim's Progress
  • Letter I. [Daily Gazetteer]
  • Letter II. [Daily Gazetteer]
  • Letter III. [Daily Gazetteer]
  • Letter to the Society of Arts (26 February 1760)
  • Letter to the Society of Arts (8 December 1760)
  • Address of the Painter’s, Sculptors, &Architects to George III (1761)
  • Preface to A Catalogue of the Pictures, Sculptures, Models, Drawings, Prints, &c Exhibited by the Society of Artists of Great-Britain at the Great Room in Spring Gardens Charing Cross May the 17th Anno 1762 Being the Third year of their Exhibition (1762)
  • Review of William Tytler, Historical and Critical Enquiry into the Evidence Produced … Against Mary Queen of Scots
  • Contributions to John Kennedy, A Complete System of Astronomical Chronology, Unfolding the Scriptures
  • Proposals and Advertisement [for Anna Williams, Miscellanies in Prose and Verse] (1762)
  • Advertisement [for Anna Williams, Miscellanies in Prose and Verse] (1766)
  • Dedication to Jerusalem Delivered (1763)
  • Dedication to The Works of Metastasio (1767)
  • Dedication to Cyrus: A Tragedy (1768)
  • Review of Oliver Goldsmith, The Traveller
  • Dedication for Thomas Percy, Reliques of Ancient English Poetry
  • 23 Sept. 1765 [Political Writing for Henry Thrale]
  • 1–4 Oct. 1765. [Political Writing for Henry Thrale]
  • 20 Nov. 1765. [Political Writing for Henry Thrale]
  • 19 Dec. 1765. [Political Writing for Henry Thrale]
  • 24 December 1765 [Political Writing for Henry Thrale]
  • 3 March 1768 [Political Writing for Henry Thrale]
  • 8 March 1768 [Political Writing for Henry Thrale]
  • 14 March 1768 [Political Writing for Henry Thrale]
  • 23 March 1768 [Political Writing for Henry Thrale]
  • 23 March 1768 [Political Writing for Henry Thrale]
  • 13 March 1769 [Political Writing for Henry Thrale]
  • 1 October 1774 [Political Writing for Henry Thrale]
  • 4 October 1774 [Political Writing for Henry Thrale]
  • 13 October 1774 [Political Writing for Henry Thrale]
  • 4 September 1780 [Political Writing for Henry Thrale]
  • 4 September 1780 [Political Writing for Henry Thrale]
  • 5 Sept. 1780 [Political Writing for Henry Thrale]
  • Dedication for George Adams, A Treatise Describing and Explaining the Construction and Use of New Celestial and Terrestrial Globes
  • Dedication to John Gwynn, London and Westminster Improved
  • Preface to Alexander MacBean, A Dictionary of Ancient Geography
  • Meditation on a Pudding
  • Hereford Infirmary Appeal
  • Dedication for A General History of Music (1776)
  • From A General History of Music, Vol. II (1782)
  • Dedication to An Account of the Musical Performance . . . in Commemoration of Handel (1785)
  • Advertisement for the Spectator
  • Dedication to Zachary Pearce, A Commentary, with Notes, on the Four Evangelists and the Acts of the Apostles
  • Letter of 16 May 1777
  • The Petition of the Lord Mayor, Aldermen, and Commons of the City of London, in Common Council Assembled, Friday 6 June 1777
  • Letter to Lord Bathurst, the Lord Chancellor, 8 June 1777
  • Letter to William Murray, First Earl of Mansfield, Lord Chief Justice, Wednesday, 11 June 1777
  • Petition of Mrs. Mary Dodd to the Queen
  • Dodd’s Letter to the King, Sunday, 22 June 1777
  • Petition of William Dodd to the King, Monday, 23 June 1777
  • Dodd’s Last Solemn Declaration, Wednesday, 25 June 1777
  • Johnson’s Observations on the Propriety of Pardoning William Dodd, Wednesday, 25 June 1777
  • Introduction and Conclusion to Occasional Papers (1777)
  • Proposal for Printing William Shaw, An Analysis of the Scotch Celtic Language
  • Dedication to Sir Joshua Reynolds, Seven Discourses
  • Preface to Thomas Maurice, Oedipus Tyrannus
  • The Case of Collier v. Flint
  • Translation of Sallust, De Bello Catilinario
  • General Rules of the Essex Head Club
  • On the Character and Duty of an Academick
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Letter III. [Daily Gazetteer]
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By Johnson, Samuel

Samuel Johnson: Johnson on Demand

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Letter III. [Daily Gazetteer]
Dec. 15, 1759. Sir,
It is the common fate of erroneous positions, that they are betrayed by defence, and obscured by explanation; that their authors deviate from the main question into incidental inquisitions, and raise a mist where they should let in light.
Of all these concomitants of errors, the Letter of Dec. 10, in favour of elliptical arches, has afforded examples.1 A great part of it is spent upon digressions. The writer allows, that “the first excellence of a bridge is undoubtedly strength”; but this concession affords him an opportunity of telling us, that strength, or provision against decay, has its limits; and of mentioning the Monument and Cupola,2 without any advance towards evidence or argument.


Page 465

The “first excellence of a bridge” is now allowed to be “strength”; and it has been asserted, that a semi-ellipsis has less strength than a semicircle. To this he first answers, that “granting” this position “for a moment,” the semi-ellipsis may yet have strength sufficient for the purposes of commerce. This grant, which was made but for a moment, needed not to have been made at all; for, before he concludes his Letter, he undertakes to prove, that the “elliptical arch must in all respects be superior in strength to the semicircle.” For this daring assertion he made way by the intermediate paragraphs; in which he observes, that “the convexity of a semi-ellipsis may be encreased at will to any degree that strength may require”; which is, that an elliptical arch may be made less elliptical, to be made less weak; or that an arch, which by its elliptical form is superior in strength to the semicircle, may become almost as strong as a semicircle, by being made almost semicircular.
That the longer diameter of an ellipsis may be shortened, till it shall differ little from a circle, is indisputably true; but why should the writer forget the semicircle differs as little from such an ellipsis? It seems that the difference, whether small or great, is to the advantage of the semicircle; for he does not promise that the elliptical arch, with all the convexity that his imagination can confer, will stand without “cramps of iron” and “melted lead,” and “large stones,” and “a very thick arch”; assistances which the semicircle does not require, and which can be yet less required by a semi-ellipsis, which is “in all respects superior in strength.”
Of a man who loves opposition so well, as to be thus at variance with himself, little doubt can be made of his contrariety to others; nor do I think myself entitled to complain of disregard from one, with whom the performances of antiquity have so “little weight”: yet in defiance of all this contemptuous superiority, I must again venture to declare, that a strait line will bear no weight; being convinced, that not even the science of Vasari can make that form strong,3 which the laws of


Page 466

nature have condemned to weakness. By the position, that a strait line will bear nothing, is meant, that it receives no strength from straitness; for that many bodies, laid in strait lines, will support weight by the cohesion of their parts, every one has found, who has seen dishes on a shelf, or a thief upon the gallows. It is not denied, that stones may be so crushed together by enormous pressure on each side, that a heavy mass may safely be laid upon them; but the strength must be derived merely from the lateral resistance; and the line so loaded will be itself part of the load.
The semi-elliptical arch has one recommendation yet un-examined; we are told that it is difficult of execution. Why difficulty should be chosen for its own sake, I am not able to discover; but it must not be forgotten, that as the convexity is encreased, the difficulty is lessened; and I know not well whether this writer, who appears equally ambitious of difficulty and studious of strength, will wish to encrease the convexity for the gain of strength, or to lessen it for the love of difficulty.
The friend of Mr. M— —, however he may be mistaken in some of his opinions, does not want the appearance of reason, when he prefers facts to theories; and that I may not dismiss the question without some appeal to facts, I will borrow an example, suggested by a great artist,4 and recommended to those who may still doubt which of the two arches is the stronger, to press an egg first on the ends, and then upon the sides.
I am, Sir, Yours, &c.


Page 467

Editorial Notes
1 This letter seems to have disappeared with the Chronicle for 10 December.
2 Christopher Wren designed both the monument to the Great Fire of London near the north end of London Bridge and St. Paul’s cathedral, with its cupola.
3 Giorgio Vasari (1511–74), a painter and architect who designed several buildings in Florence, including the Vasari Corridor, which connects the Pallazo degli Uffizi with the Palazzo Pitti on the other side of the Arno. The corridor, with its semi-circular arches, runs partly along a bridge with elliptical arches.
4 Isaac Gadsdon (fl. 1739–54), who uses the analogy in Geometrical Rules Made Easy for the Use of Mechanicks Concern’d in Buildings (1739), chapter V, “Of the Nature and Properties of Arches,” p. 56 (Brownell, p. 122 and n. 39, and Eileen Harris, British Architectural Books and Writers, p. 63). As Brownell points out, SJ’s first definition of artist in Dictionary is “The professor of an art, generally of an art manual.”
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Document Details
Document TitleLetter III. [Daily Gazetteer]
AuthorJohnson, Samuel
Creation Date1759
Publ. DateN/A
Alt. TitleN/A
Contrib. AuthorN/A
ClassificationSubject: Architecture; Subject: Building; Subject: London; Subject: Geometry; Genre: Letter; Genre: Editorial
PrinterN/A
PublisherN/A
Publ. PlaceLondon
VolumeSamuel Johnson: Johnson on Demand
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